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Vol. 1 No. 1 (2020): Art-platforma №1

ISSN (Print): 2708-5317; ISSN (Online): 2708-5325

FULL ISSUE PDF

DOI: https://doi.org/10.51209/platform.1.1.2020

Published: 2020-02-03

Content

CONTENT

art-platforma.kmaecm art-platforma.kmaecm

1-10
- CONTENT (Українська)

ARTISTIC CREATIVITY IN THE FIELD OF CULTURAL KNOWLEDGE

ICONIC AND VERBAL PARADIGMS OF THOUGHT

Nikolay Serov

11-38

DOI: https://doi.org/10.51209/platform.1.1.2020.11-38
- Serov (Русский)
SOME CULTURAL AND HISTORICAL ASPECTS OF IDENTITY «INTELLECTUALS» IN THE WORKS OF THE SECOND HALF OF THE XXTH CENTURY

Ivan Bratus, Halyna Kuzmenko

39-68

DOI: https://doi.org/10.51209/platform.1.1.2020.39-68
- Bratus (Українська)
MODERN CIRCUS ART AS A FIELD FOR COMBATING OF STEREOTYPES

Julia Romanenkova

69-93

DOI: https://doi.org/10.51209/platform.1.1.2020.69-93
- Romanenkova (Русский)
ON SOME ASPECTS OF MODERNIZING THE TEACHING OF THEATRE HISTORY AT ARTS HIGHER SCHOOLS

Hanna Lypkivska

94-108

DOI: https://doi.org/10.51209/platform.1.1.2020.94-108
- Lypkivska (Українська)
BALLET AND CIRCUS NEOCLASSICAL: PROCESSES OF INTEGRATION, SYNTHESIS AND TRANSFORMATION

Denys Sharykov

109-125

DOI: https://doi.org/10.51209/platform.1.1.2020.109-125
- Sharykov (Українська)
SYSTEMATIC TRAINING OF PROFESSIONAL CIRCUS ARTISTSБ (ACROBATS-VOLTIGERS AND AIR GYMNASTS ON THE CORDE-DE-PÉRIL) IN THE INSTITUTION OF HIGHER EDUCATION OF ART SPHERE

Dmitriy Orel

126-140

DOI: https://doi.org/10.51209/platform.1.1.2020.126-140
- Orel
SOUND DESIGN OF AN ANIMATED FILM IN THE CINEMA OF BELARUS

Antonina Karpilova

141-157

DOI: https://doi.org/10.51209/platform.1.1.2020.141-157
- Karpilova (Русский)
SCENOGRAPHY OF DESIGN OF THE ENVIRONMENT

Mikhail Kiba

158-175

DOI: https://doi.org/10.51209/platform.1.1.2020.158-175
- Kiba (Українська)
THE CREATIVE WORK OF M.V. DOBUZHINSKY – ONE OF THE REFORMERS OF THEATRICAL AND DECORATIVE ART OF THE EARLY XX CENTURY

Olga Filippova

176-204

DOI: https://doi.org/10.51209/platform.1.1.2020.176-204
- Filippova (Русский)
A CHROMATIC INTERPRETATION OF ICONIC CODES IN THE PAINTINGS OF TATYANA APRAKSINA

Nikolai Serov, James Manteith

205-237

DOI: https://doi.org/10.51209/platform.1.1.2020.205-237
- Serov-Manteith (Русский)
THE PRINCIPLES OF CONSTRUCTING ASSOCIATIVESHAPED COLOR COMPOSITIONS

Liudmyla Gorbatenko

238-248

DOI: https://doi.org/10.51209/platform.1.1.2020.238-248
- Gorbatenko (Українська)
COLOR AS THE MOST IMPORTANT MEANS OF OVERCOMING PARADIGM DIMENSIONS IN COMMUNICATION BETWEEN THE DESIGNER AND THE CONSUMER

Tatyana Makhova, Olga Kiba

249-276

DOI: https://doi.org/10.51209/platform.1.1.2020.249-276
- Makhova (Русский)
MASS CULTURE: STUDY APPROACHES TO THE STUDY AND DIRECTION OF THE THEORETICAL UNDERSTANDING

Marianna Druzhinets

277-292

DOI: https://doi.org/10.51209/platform.1.1.2020.277-292
- Druzhinets (Українська)

MUSICOLOGICAL STUDIES

«RAVELLO FESTIVAL»: THE DYNAMICS OF THE DEVELOPMENT OF MUSIC FESTIVALS IN MODERN ITALY

Olena Ponomarenko

293-316

DOI: https://doi.org/10.51209/platform.1.1.2020.293-316
- Ponomarenko (Українська)
VARIETY STUDIES – THE SCIENCE OF VARIETY ART

Tetyana Samaya

317-335

DOI: https://doi.org/10.51209/platform.1.1.2020.317-335
- Samaya (Українська)
VARIETY VOCAL ART OF UKRAINE IN THE CULTURAL SPACE OF THE XXI CENTURY

Maryna Chebotar

336-350

DOI: https://doi.org/10.51209/platform.1.1.2020.336-350
- Chebotar (Українська)
AUDIOVISUAL ADVERTISING WORKS WITH NATIONAL THEMES AS A CULTURAL PHENOMENON OF MODERN UKRAINE

Svitlana Zaria

351-365

DOI: https://doi.org/10.51209/platform.1.1.2020.351-365
- Zaria (Українська)
DICHOTOMY OF INDIVIDUAL AND COLLECTIVE IN SOLO AND ENSEMBLE VARIETY VOCAL PERFORMANCE

Veronica Levko

366-383

DOI: https://doi.org/10.51209/platform.1.1.2020.366-383
- Levko (Українська)

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ISSN 2708-5325

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