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Vol. 3 No. 1 (2021): Art-platforma № 3

DOI: https://doi.org/10.51209/platform.1.3.2021

Published: 2021-05-27

Full Issue

3 (Українська)

CULTURALOGICAL STUDIES

“Playback theatre” as a form of “entertainment” in modern culture

Olena CHUMACHENKO

13-25

DOI: https://doi.org/10.51209/platform.1.3.2021.13-25
- 13 (Українська)
SYSTEMIC CHANGES IN THE PREPARATION OF STUDENTS OF THE EDUCATIONAL PROGRAM “DIRECTING” AND ITS CONSEQUENCES

Olexander IVAHNO

26-45

DOI: https://doi.org/10.51209/platform.1.3.2021.26-45
- 26 (Українська)
VSEVOLOD MEYERHOLD'S STAGE METHOD AND ITS APPLICATION IN CIRCUS ART

Veronica TYSHCHUK

46-67

DOI: https://doi.org/10.51209/platform.1.3.2021.46-67
- 46 (Українська)
JUGGLING IN MODERN CIRCUS ART: SIGNIFICANCE, FEATURES

Denys SHARYKOV

68-84

DOI: https://doi.org/10.51209/platform.1.3.2021.68-84
- 68 (Українська)
CIRCUS DIRECTING AND SHOW BUSINESS IN THE FIELD OF ENTERTAINMENT. THE ROLE OF PR IN PROMOTING OF CIRCUS SHOW

Inessa L’VOVA

85-106

DOI: https://doi.org/10.51209/platform.1.3.2021.85-106
- 85 (Українська)
ANIMAL TRAINING: THE ORIGIN OF THE PHENOMENON, EVOLUTION STAGES AND CURRENT PROBLEMS OF NOWADAYS

Lyudmyla SHEVCHENKO

107-122

DOI: https://doi.org/10.51209/platform.1.3.2021.107-122
- 107 (Українська)
GESTURE AS AN ELEMENT OF THE SIGN SYSTEM OF THE ILLUSIONARY GENRE OF CIRCUS ART

Yana SHKOLYARENKO

123-140

DOI: https://doi.org/10.51209/platform.1.3.2021.123-140
- 123 (Українська)
ECCENTRIC ACROBATIC COUPLE AS A PHENOMENON OF MODERN CIRCUS ART (ON THE EXAMPLE OF A DUET “DUO FLASH”)

Yefrem BITKINE

141-165

DOI: https://doi.org/10.51209/platform.1.3.2021.141-165
- 141 (Українська)
CULTURAL AND HISTORICAL CONTEXT OF OVERCOMING THE TRAUMATIC PAST (ON THE EXAMPLE OF SAULL BELLOW'S NOVEL “MR. SEMMLER'S PLANE”)

Ivan BRATUS

166-192

DOI: https://doi.org/10.51209/platform.1.3.2021.166-192
- 166 (Українська)

MUSICOLOGICAL STUDIES

SOUND DRAMATURGY OF BELARUSIAN ART FILMS

Antonina KARPILOVA

193-213

DOI: https://doi.org/10.51209/platform.1.3.2021.193-213
- 193 (Русский)
THE MORPHOLOGICAL AND AUDIATIVE INTERCONNECTEDNESS OF SOUND: EQUIVALENCE IN A MULTIDIMENSIONAL SOUNDSCAPE

Martin VISHNICK

214-245

DOI: https://doi.org/10.51209/platform.1.3.2021.214-245
- 214
VOCAL POP ART IN THE DISCOURSE OF FORMING OF THE MUSICAL ETHOS OF CULTURE

Tetіаnа KАBLOVА

246-258

DOI: https://doi.org/10.51209/platform.1.3.2021.246-258
- 246 (Українська)

VISUAL ART PRACTICES

THE PHENOMENON OF MANNERISM IN THE ART OF EUROPE OF THE XVI-EARLY XVII CENTURIES: ON THE QUESTION OF THE STYLE ORIGIN

Julia ROMANENKOVA

259-293

DOI: https://doi.org/10.51209/platform.1.3.2021.259-293
- 259 (Українська)
ARTISTIC IMAGE IN ARCHITECTURE IN THE CONTEXT OF THE ESSENCE OF ART: MODERN INTERPRETATION

Yuliya ZAKHARYNA

294-324

DOI: https://doi.org/10.51209/platform.1.3.2021.294-324
- 294 (Русский)
UKRAINIAN EMBROIDERY IN CLOTHES OF THE 70S OF THE XX CENTURY

Anastasia VARYVONCHYK

325-345

DOI: https://doi.org/10.51209/platform.1.3.2021.325-345
- 325 (Українська)
NEO-FOLK FEATURES OF CREATIVITY VALENTYN GORDIYCHUK AND ANATOLIY TOKAREV

Veronika ZAITSEVA

346-360

DOI: https://doi.org/10.51209/platform.1.3.2021.346-360
- 346 (Українська)
ASSOCIATIVE AND METAPHORICAL PAINTING AS A SPECIFIC STYLE OF NON-FIGURATIVE VISUAL ARTS

Liudmyla GORBATENKO

361-370

DOI: https://doi.org/10.51209/platform.1.3.2021.361-370
- 361 (Українська)
THE CREATIVE WORK OF LEV BAKST AS AN THEATER DECORATOR

Olga FILIPPOVA

371-395

DOI: https://doi.org/10.51209/platform.1.3.2021.371-395
- 371 (Русский)

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ISSN 2708-5325

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