Skip to main content Skip to main navigation menu Skip to site footer

Vol. 11 No. 1 (2025): АRT-platFОRM №11

DOI: https://doi.org/10.51209/platform.1.11.2025

Published: 2025-08-24

Full Issue

full PDF (Українська)

MUSICOLOGICAL STUDIES

Features of the concertmaster`s work with a pop vocalist

Hanna OVCHARENKO, Svitlana ZARYA

12-25

DOI: https://doi.org/10.51209/platform.1.11.2025.12-25
- OVCHARENKO (Українська)
The terminology of musical rhythmics and its etymology in the performer's logical cognition

Tetyana SAMAYA

26-44

DOI: https://doi.org/10.51209/platform.1.11.2025.26-44
- SAMAYA (Українська)
Concerts of contemporary Christian worship music as a space of interaction between religion and popular culture

Tetіаnа BULAKH, Vitalii AZHNOV

45-60

DOI: https://doi.org/10.51209/platform.1.11.2025.45-60
- BULAKH (Українська)
Ensembly singing in the work of ukrainian vocal and instrumental ensembles of the 1960s and 1970s

Yuliia PALTSEVYCH

61-78

DOI: https://doi.org/10.51209/platform.1.11.2025.61-78
- PALTSEVYCH (Українська)
Classic crossover: genesis, stages of formation and perspective

Svitlana MURAVITSKA

79-96

DOI: https://doi.org/10.51209/platform.1.11.2025.79-98
- MURAVITSKA (Українська)
Reflections of the Polish musical ethos in chamber-instrumental ensembles of K. Szymanowski

Gabriella ASTALOSH

97-119

DOI: https://doi.org/10.51209/platform.1.11.2025.97-119
- ASTALOSH (Українська)
Genre and style dimensions of saxophone compositions by French composers from the second half of the 19th to the early 21st century

Andriy YASKIV

120-140

DOI: https://doi.org/10.51209/platform.1.11.2025.120-140
- YASKIV (Українська)
The dolby atmos technology in the context of the analysis of contemporary Ukrainian music

Oleksii NOSENKO

141-161

DOI: https://doi.org/10.51209/platform.1.11.2025.141-161
- NOSENKO (Українська)
Modern approaches to leading a student vocal ensemble

Yuliіa SAVCHENKO

162-178

DOI: https://doi.org/10.51209/platform.1.11.2025.162-178
- SAVCHENKO (Українська)

VISUAL ART PRACTICES

Formation of an artistic image in color science painting

Liudmyla GORBATENKO

179-194

DOI: https://doi.org/10.51209/platform.1.11.2025.179-194
- GORBATENKO (Українська)
Cultural-historical aspects of the creative work of Vasil Leonenko

Petro NESTERENKO

195-212

DOI: https://doi.org/10.51209/platform.1.11.2025.195-212
- NESTERENKO (Українська)
Features of training designers within the framework of the academic discipline “Media Art”: the keys to successful work in digital art and social networks

Serhii BRYLOV, Valentyna KUZMICHOVA, Volodymyr KOLESNYKOV

213-228

DOI: https://doi.org/10.51209/platform.1.11.2025.213-228
- BRYLOV (Українська)

CULTURALOGICAL STUDIES

Dialogue of scientific and artistic generations as a means of forming the cultural capital of Ukraine

Oleksandr YAKOVLEV, Svitlana SHMAN

229-248

DOI: https://doi.org/10.51209/platform.1.11.2025.229-248
- YAKOVLEV (Українська)
Between vision and action. Teaching “Social and cultural project management in the arts”

Nina ARAYA BERRIOS

249-262

DOI: https://doi.org/10.51209/platform.1.11.2025.249-262
- ARAYA
Object theatre as a stage tendency of the performative turn in the art of puppetry

Olga BUCHMA-BERNATSKA, Mariia POHREBNIAK

263-283

DOI: https://doi.org/10.51209/platform.1.11.2025.263-283
- BUCHMA-BERNATSKA (Українська)
The phenomenon of the artist's self-realization

Galyna POGREBNІAK, Vladyslava НRANOVSKA

284-316

DOI: https://doi.org/10.51209/platform.1.11.2025.284-316
- POGREBNІAK
Copyright and intellectual property in the field of art

Inga PASENKO

317-338

DOI: https://doi.org/10.51209/platform.1.11.2025.317-338
- PASENKO (Українська)
A modern approach to the physical training of an actor: intercultural dimension and physical expressiveness

Valeriia SHTEFIUK

339-354

DOI: https://doi.org/10.51209/platform.1.11.2025.339-354
- SHTEFIUK (Українська)
The book as a symbol of culture: from handwritten codices to digital media

Volodymyr SKRYPNYK

355-367

DOI: https://doi.org/10.51209/platform.1.11.2025.355-367
- SKRYPNYK (Українська)
Hermeneutic Interpretation of Art: Shared and Divergent Views in the Thoughof M. Hiedegger and H.-G. Gadamer

Ivan SUHAK-SNARSKYI

368-383

DOI: https://doi.org/10.51209/platform.1.11.2025.368-383
- SUHAK-SNARSKYI

Language

ISSN 2708-5325

ABOUT THE JOURNAL
Aims and Scope
Editorial Policy
Copyright and Licensing
Open Access Policy
Plagiarism policy
Privacy Statement
Indexing
Author Guidelines
Peer reviewing
Funding
Contacts