JUGGLING IN MODERN CIRCUS ART: SIGNIFICANCE, FEATURES

Abstract

The article describes the specifics of teaching of juggling as a circus genre in nowadays. The peculiarities of the formal and technical means of the circus genre of juggling are determined, the methods of their embodiment in the stage representation at the circus arena of today are described. A brief analysis of research on this issue in the context of the history of performance. The specifics of methodical features of juggling, which promotes the development of coordination, peripheral vision and control of objects, circus technique, which is used as an element of education of acting and stage movement, are described. Modern circus culture in the field of juggling, based on specific classical methods and systems, is enriched by the results of the interaction of art with the latest technologies, materials, forms. It enables young circus artists in the field of juggling to gain competitiveness at modern world festivals and competitions. Juggling is an ancient genre of circus art. Its history begins before our era and continues to our time. The technique of juggling is constantly improved and developed in all possible directions. This is facilitated by both amateurs and professionals of this genre. Each artist brings something new to this genre. The specifics of juggling and representative characteristics indicate that the end result of a local result for a juggler is the creation of a number. Circus number is a work of art of circus art. It is a set in the appropriate structural sequence of elements, which in combination with other stage means of expression reflect the creative task, idea and affect the audience on an emotional level. The current level of development of circus art requires comprehensive training of the artist. The development and staging of a circus number is a long process of searching, compiling, creating and improving, which is the subject of interest of this article.