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Vol. 7 No. 1 (2023): АRT-platFОRM №7

DOI: https://doi.org/10.51209/platform.1.7.2023

Published: 2023-03-30

Full Issue

full PDF (Українська)

MUSICOLOGICAL STUDIES

Innovative approaches of professional music education in studying rhythmics

Tetyana SAMAYA

11-31

DOI: https://doi.org/10.51209/platform.1.7.2023.11-31
- SAMAYA (Українська)
Eurodance as a style direction of the Ukrainian song variety of the 1990s

Olga ZOSIM, Yana PODUNAI

32-54

DOI: https://doi.org/10.51209/platform.1.7.2023.32-54
- ZOSIM (Українська)
“Jewish fantasy” by Viktor Telychko within biographic discourse

Lesia MYKULANYNETS

55-70

DOI: https://doi.org/10.51209/platform.1.7.2023.55-70
- MYKULANYNETS (Українська)
Sonoristic in the piano music of Chine of ХХ century

Li HUAXIN

71-83

DOI: https://doi.org/10.51209/platform.1.7.2023.71-83
- HUAXIN (Українська)
The performing arts of China in the dialogue of cultures as an example of the opera “The first emperor” by Tang Dung

Zhang ZONGRUI

84-98

DOI: https://doi.org/10.51209/platform.1.7.2023.84-98
- ZONGRUI (Українська)

VISUAL ART PRACTICES

Anthology of the flight in creative art of Oleg Denisenko

Yuliia ROMANENKOVA, Svitlana STRELTSOVA

99-123

DOI: https://doi.org/10.51209/platform.1.7.2023.99-123
- ROMANENKOVA (Українська)
The image of a woman in the satirical graphic arts of the Ukrainian magazine “Chervonyy peretsʹ” (“Red pepper”) during the establishment of the Soviet regime in the 20-30s of XX century

Viktor MYKHALEVYCH, Ivan BRATUS

124-141

DOI: https://doi.org/10.51209/platform.1.7.2023.124-141
- MYKHALEVYCH (Українська)
Cultural directions of the activities of the graphic artists of Kamiants-Podilsky in the 20th century

Alla BRENYUK

142-169

DOI: https://doi.org/10.51209/platform.1.7.2023.142-169
- BRENYUK (Українська)
Composition in design. Features of the emotional construct

Nadiia BABII, Bohdan HUBAL

170-188

DOI: https://doi.org/10.51209/platform.1.7.2023.170-188
- BABII (Українська)
“A word about the regiment of Ihorev” in the ex-libris

Petro NESTERENKO

189-207

DOI: https://doi.org/10.51209/platform.1.7.2023.189-207
- NESTERENKO (Українська)
Ukrainian neo-baroque in architectural forms of creativity is one of the national self-identifiers

Anatoly BROVCHENKO

208-227

DOI: https://doi.org/10.51209/platform.1.7.2023.208-227
- BROVCHENKO (Українська)
Font compositions by Ivan Yizhakevych in the design of works of periodicals of the end of the 19th – beginning of the 20th century

Anna HUNKA

228-242

DOI: https://doi.org/10.51209/platform.1.7.2023.228-242
- HUNKA (Українська)

CULTURALOGICAL STUDIES

Reflection of the national idea in the directing models of author cinema

Galyna POGREBNІAK

243-274

DOI: https://doi.org/10.51209/platform.1.7.2023.243-274
- POGREBNІAK (Українська)
The habitus of the main character in Jean-Paul Sartre's novel “Nausea”

Ivan BRATUS, Halyna KUZMENKO

275-302

DOI: https://doi.org/10.51209/platform.1.7.2023.275-302
- BRATUS (Українська)
Phenomenon of pantomime and the problem of transformation of a mime artist into a stage image

Halyna KUZMENKO, KATERYNA SPODONEIKO

303-343

DOI: https://doi.org/10.51209/platform.1.7.2023.303-343
- KUZMENKO (Українська)
Features of the specificity and uniqueness of the contemporary Canadian Cirque du Soleil in the context of circology research

Denys SHARYKOV, Dmytro OREL, Kostiantyn HERASYMENKO

344-358

DOI: https://doi.org/10.51209/platform.1.7.2023.344-358
- SHARYKOV
Search of modern intonation solutions and techniques using the example of traditional Ukrainian choreographic art

Tetyana LUGOVENKO, Volodymyr GREK

359-371

DOI: https://doi.org/10.51209/platform.1.7.2023.359-371
- LUGOVENKO (Українська)
Sound directing in circus art: specific features

Mykhailo UZHYNSKYI

372-387

DOI: https://doi.org/10.51209/platform.1.7.2023.372-387
- UZHYNSKYI (Українська)

Language

ISSN 2708-5317

ISSN 2708-5325

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