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Vol. 4 No. 2 (2021): АRT-platFОRM №4

DOI: https://doi.org/10.51209/platform.2.4.2021

Published: 2021-11-22

Full Issue

Full Issue PDF (Українська)

MUSICOLOGICAL STUDIES

CORRELATION OF CREATIVE ACTIVITY OF ARTISTS THROUGH THE PRISM OF SYNESTHESIA

Halyna KUZMENKO, Svitlana STRELTSOVA

13-44

DOI: https://doi.org/10.51209/platform.2.4.2021.13-44
- 13-44 (Українська)
USING POP SONGS IN TEACHING ENGLISH LANGUAGE TO STUDENTS MAJORING IN MUSIC ARTS. PHONOLOGICAL ASPECT

Nataliia ZEMLIANSKA

45-59

DOI: https://doi.org/10.51209/platform.2.4.2021.45-59
- 45-59

VISUAL ART PRACTICES

JEWELLERY IN MODERN REALITIES: A CHRONICLE OF TRIUMPH OR A CHRONICLE OF SURVIVAL?

Yuliia ROMANENKOVA

60-85

DOI: https://doi.org/10.51209/platform.2.4.2021.60-85
- 60-85 (Русский)
TRENDS IN MUSEUM POLICY OF THE XXI CENTURY IN NORWAY

Olena SOM-SERDYUKOVA

86-106

DOI: https://doi.org/10.51209/platform.2.4.2021.86-106
- 86-106 (Українська)
CHARACTERS OF EUROPEAN LITERATURE IN THE EX-LIBRIS MIRROR

Petro NESTERENKO

107-130

DOI: https://doi.org/10.51209/platform.2.4.2021.107-130
- 107-130 (Українська)
THE PICTURESQUE GIFT OF NIKOLAI SAPUNOV AND THE THEATER

Olga FILIPPOVA

131-163

DOI: https://doi.org/10.51209/platform.2.4.2021.131-163
- 131-163 (Русский)

CULTURALOGICAL STUDIES

FUNCTIONING OF DIRECTING MODELS OF AUTHOR CINEMA IN THE CULTURAL AND ARTISTIC SPACE OF INTERNATIONAL FILM FESTIVALS

Galyna POGREBNІAK

164-188

DOI: https://doi.org/10.51209/platform.2.4.2021.164-188
- 164-188 (Українська)
ON THE QUESTION OF THE CREATIVE DYNASTY OF SHEVCHENKO IN THE HISTORY OF THE DOMESTIC CIRCUS

LYUDMYLA SHEVCHENKO

189-204

DOI: https://doi.org/10.51209/platform.2.4.2021.189-204
- 189-204 (Українська)
ATTEMPT OF CONSIDERIG OF CULTURAL AND HISTORICAL PARADIGMS IN THE WORKS OF THE STRUGATSKY BROTHERS («ESCAPE ATTEMPT» , «HARD TO BE A GOD», «ROADSIDE PICNIC», «ONE BILLION YEARS TO THE END OF THE WORLD»)

Ivan BRATUS

205-228

DOI: https://doi.org/10.51209/platform.2.4.2021.205-228
- 205-228 (Українська)
THE IMPORTANCE OF OLEKSIY RATMANSKY’S ART FOR DEVELOPMENT OF UKRAINIAN BALLET AT THE END OF THE XX CENTURY

Zoia MAKAROVA

229-245

DOI: https://doi.org/10.51209/platform.2.4.2021.229-245
- 229-245 (Українська)
DERIVATIVE WORKS IN CHOREOGRAPHIC ART: INSPIRATION OR PLAGIARISM?

Volodymyr GREK

246-259

DOI: https://doi.org/10.51209/platform.2.4.2021.246-259
- 246-259 (Українська)
SPECIFICITY OF CONTEMPORARY ANIKO REKHVIASHVILI’S AUTHOR'S NEOCLASSIC STYLE

Denys SHARYKOV

260-274

DOI: https://doi.org/10.51209/platform.2.4.2021.260-274
MORPHOLOGY OF MAGIC TRICKS

Sergey BELYAYEV

275-311

DOI: https://doi.org/10.51209/platform.2.4.2021.275-311
- 275-311 (Русский)
THE UNIVERSALISM OF GENE KELLY'S TALENT AND THE INFLUENCE OF THE MASTER'S WORK ON THE 20TH CENTURY AMERICAN CULTURE

Antonii KYIOVYCH

312-329

DOI: https://doi.org/10.51209/platform.2.4.2021.312-329
- 312-329 (Українська)
GAG IN PERFORMING ARTS AND IN CLOWNING

Maxim LITVINENKO

330-351

DOI: https://doi.org/10.51209/platform.2.4.2021.330-351
- 330-351 (Українська)

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ISSN 2708-5325

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