The reflection of Zakarpattia’s biography in “Ash-Rock” concert fantasy for cymbals and symphony orchestra by Viktor Telychko

Abstract

The objective of the article is to analyze “Ash-Rock” concert fantasy by Viktor Telychko and to confirm its defining the chronicle concepts of Zakarpattia. The methodology of the publication is supported by a number of approaches: biographic – by the grasp of Viktor Fedorovych’s biography; analytical – by studying the references in accordance with the problematic field of the issue; music studies – by accomplishing the genre and style analysis of the opus; culture studies – by revealing civilization processes of the region; historical – by learning various dimensions of the locus existence; systemic – by comprehensive review of regional spiritual phenomena; theoretical generalization – by summarizing the research results. For the first time ever in national humanitarian studies the artwork of “Ash-Rock” by Viktor Telychko was interpreted and the following issue was justified: the artistic pattern under consideration does implement the chronicles of the region. The research confirms the serious potential of biography. It reflects not only creativity of each individual but also embodies the variety of locus existing modes by means of the significant complex of various studies and civilization codes appeal. The regional chronicle is a phenomenon reflecting architectonically the mental, sense, world outlook features of a certain territory, as well as the preserved and taken through centuries various historical and social events. For Zakarpattia, the remarkable categories are as follows: poly-ethnic nature; ethnic and cultural focus; religion; patriarchal nature; expressiveness; dialogue; careful attitude to the nature; being open to innovation, etc. Viktor Telychko is a significant representative of Ukrainian academic music. The master’s achievements reflect vividly the national and regional features as they are related to folk traditions in their synthesis with profound professional knowledge. The significant role in the master’s creativity heritage refers to “Ash-Rock” concert fantasy for cymbals and symphony orchestra. The opus  reproduces the spacious image-bearing, content range of the oblast’s ontology and focuses on socio-cultural, historical existence, as well as demonstrates the unity of paradigmatic discourses and broadcasts the regional chronicles simultaneously.