Artistic searches and continuation of the traditions of creating the Ukrainian knotted doll in the creative work of the modern poltava craftsman and scientist Tetyana Sayenko

Abstract

The problem that initiated this article can be formulated as an emphasis on national education, which is becoming one of the main priorities and an organic component of modern education today. In this regard, the author emphasizes the need for artistic research and the continuation of the traditions of creating a Ukrainian knotted doll, as one of the symbols of Ukrainian national identity. It is noted that until now, information about the work of modern masters who are specialists in the art of Ukrainian knotted dolls has not been scientifically systematized; the methodology and ways of introducing this type of decorative and applied art into the educational process of schoolchildren and students of different educational levels have not been described; the history of the dissemination of knowledge, the transmission of traditions of creating a knotted doll has not been sufficiently covered in scientific literature. The scientific, pedagogical and artistic creativity of the researcher, the carrier-practitioner of the element of the intangible cultural heritage of Ukraine “Traditions of the Ukrainian knotted doll of Poltava region” – Tetiana Sayenko is highlighted, her role in the popularization of the Ukrainian knotted doll at the regional and all-Ukrainian levels is determined. It is emphasized that artistic searches and dissemination of knowledge about the Ukrainian knotted doll will help to involve citizens in the deep layers of national culture and spirituality, will continue the continuity of the traditions of artistic experience of generations. The author's individuality of the creative method of the craftswoman, the originality of her artistic thinking are revealed. Prospects for further research are highlighted, such as: support for cultural and educational institutions, strengthening sustainability through culture; grant assistance to craftsmen and researchers of the traditions of Ukrainian folk art, their involvement in writing national strategies and plans for the development of education; digital transformation of funds, adding new elements to the list of intangible cultural heritage of Ukraine, development and implementation of electronic registration of cultural heritage sites, etc.